It happens with disgusting regularity. You will flip through the various basic cable channels which are nominally “science oriented” (often grouped together on the dial if they feature scientific topics) and come up with nothing but junk, pseudoscience, and worse. “Reality shows” about subjects with little or no science content, tons of paranormal and pseudoscientific shows promoting ghosts, UFOs, Bigfoot, and creationism—all fill the airwaves for channels like Discovery, The Learning Channel, History Channel, and even the Science Channel and National Geographic Channel. We watch a few minutes of these with complaints to anyone within earshot, then (usually) move on—or occasionally we get sucked in to watch the whole thing, like gawkers at a car crash. The cartoon at the top (from the great website PhdComics) says it all: four channels that used to be largely documentaries on science and history are now dominated by guns, explosions, dangerous occupations and other “reality” TV. Their shows have buzz words in the titles like “biggest”, “wildest”, “monsters” or “killers”, and plain old junk fill up most of their air time.
I’ve seen it from both sides. I’ve appeared in prehistoric animal documentaries that have aired on all four channels (and keep re-appearing years after I made them, so I feel like Dorian Gray, with my younger self perpetually preserved in documentary limbo). Almost all these documentaries are made by small independent film outfits that are searching for any sexy topic that they can sell to the major cable networks, so they are under great pressure to come up with something flashy, noisy, scary, and/or mysterious. If I have any chance to review the script, I try my best to tone down the excessive hyperbole, but they usually ignore me. As I film segments with them, I try to be as dynamic and entertaining as a “talking head” can be, but they are always pushing me to oversimplify and exaggerate to make the spiel more colorful (but less scientifically accurate). And then when I see the final product, most of what I did ends up on the cutting room floor, with only a few seconds left of many hours of filming. Even worse, I’ve put in many hours on projects that never got picked up at all. Documentary filmmaking is a high-risk, low-reward proposition—you have better odds of making big money in Vegas.comments (94)