Ep 1 of Cosmos, “Waking Up in the Milky Way” aired 14 weeks ago. Those TV signals are now entering the Oort Cloud of comets.
-Neil deGrasse Tyson
After 14 weeks, “Cosmos” has finally aired all its original 13 episodes (with one week off on Memorial Day weekend). Now that it’s over, we can step back and assess it for its intrinsic value, and also for its possible effects on culture.
When Episode 1 first aired, there were a mix of reactions. Most of us were overwhelmingly positive about what we saw in the first episode, with the state-of-the art special effects as they tour the universe contrasted with the deliberately crude animations that portray historical figures and events. There were a lot of nitpickers who were horrified about the small scientific errors in the first episode. True, there should be no sound in the vacuum of space, and the asteroid belt or the Oort cloud are not as tightly packed with objects as the animation suggests. But most reviewers regarded those things as minor errors which don’t detract from the overall message, and are only noticeable to the relevant experts. The nitpickers missing the point: Modern lay audiences, conditioned by generations of sci-fi movies with dense clusters of objects and sound in space, wouldn’t even know how to comprehend something which was TOO accurate. Personally, I would have liked to have seen them be more careful about particular geological and paleontological details. I cringed when they put Early Permian Dimetrodon in the landscape of the Late Permian extinction, and other prehistoric anachronisms; I wish someone had coached them to pronounce Bruce Heezen’s name properly (HAY-zen, NOT HEE-zen); I wish they had presented a more pluralistic and accurate account of the Cretaceous extinctions, instead of the simplistic “asteroid did it—end of story” version so popular in the media, but not supported by the evidence. Continue reading…comments (15)